Monster Mash

"Monster Mash" is a 1962 novelty song by Bobby "Boris" Pickett. The song was released as a single on Gary S. Paxton's Garpax Records label in August 1962 along with a full-length LP called '' The Original Monster Mash'', which contained several other monster-themed tunes. The "Monster Mash" single was number one on the ''Billboard'' Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial Halloween favorite ever since. In 2021, nearly 60 years after its release, "Monster Mash" re-entered the Billboard Hot 100 chart at number 37.

Background

Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds' "Little Darlin'". The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation.

Pickett and Capizzi composed "Monster Mash" and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as "The Crypt-Kickers". (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single's B-side, "Monster Mash Party".) The song was partially inspired by Paxton's earlier novelty hit "Alley Oop", as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to "Monster Mash", in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands.

The producers made extensive use of sound effects in the recording; the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was simulated by water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor.

Synopsis

The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance, with a name implying it is inspired by the Mashed Potato, a popular dance of the early 1960s. The dance becomes "the hit of the land" when the scientist throws a party for other monsters, among them classic 1940s horror film icons such as the Wolfman, Igor, Count Dracula, and his son. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, "Whatever happened to my Transylvania Twist?", and character actor Peter Lorre as Igor (a role Lorre never played, though he did play numerous deformed eccentrics). The mad scientist explains that the twist has been replaced by the Monster Mash, which Dracula embraces by joining the house band, the Crypt-Kicker Five. The story closes with the mad scientist inviting "you, the living" to the party at his castle.

Re-releases and other versions

A version was performed by the Bonzo Dog Doo-Dah Band on the UK children's TV series Do Not Adjust Your Set for which they were the house band. A studio recording was subsequently included on the Bonzos' 1969 album ''Tadpoles''.

The song was re-released several times and appeared on the U.S. ''Billboard'' charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was "too morbid", but it was later performed on the network's television program, ''Juke Box Jury'', by "The Children of the Night", a novelty group. The record was re-released in the United Kingdom in 1973, where it peaked at number three in early October. In Canada, it reached number one on August 4, 1973. In the U.S., the record re-entered the Hot 100 on May 5, 1973, peaking at number ten on August 11. On the edition of September 15, 1973 of ''American Top 40'', Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record's three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record re-entered the Hot 100 for a 38th week on the Nov. 13, 2021 chart. The 1970 reissue on the Parrot label (Parrot 348) was certified as a Gold record (for sales of over one million copies) on August 28, 1973.

To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. "Monster Mash" re-entered the British charts again on November 2, 2008, at number 60.

An anonymous session musician cover was released on Mr Pickwick Records' 1974 ''Top Of The Tots'' EP (along with similar versions of " Remember You're a Womble", "Tie a Yellow Ribbon"" and "Long Haired Lover From Liverpool.")

"Monsters' Holiday", a Christmas-themed follow-up, was recorded by Pickett and released in December 1962, peaking at number 30 on the ''Billboard'' chart. The tune was penned by the renowned novelty song composer Paul Harrison.

In 1974, Buck Owens had re-invented "Monsters' Holiday", giving it the title "It's a Monsters' Holiday". That song peaked number six on ''Billboard'' in mid-September of the same year, and number nine in Canada.

In 1985, with American culture experiencing a growing awareness of rap music, Pickett released "Monster Rap", which describes the mad scientist's frustration at being unable to teach the dancing monster from "Monster Mash" how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and re-titled it "Monster Slash", with lyrics by environmental campaigner Peter Altman, in which he critiqued President George W. Bush's environmental policies.

The song is featured in the fifteenth episode of the ''Simpsons'' fourth season, when radio presenter Marty accidentally plays it for Valentine's Day (and again later in the episode for President's Day), trying to cover up his mistake by pretending that it is kind of a love song ("all the monsters enjoying each other's company").

In 1989, Stuart Hersh began managing Pickett, and upon learning Pickett did not own the master recording to "Monster Mash", the pair in 1993 recorded a perfect copy of the original "Monster Mash" that they then used to undercut the owners of the track, Universal. According to Hersh, the company was unconcerned with the song's legacy and was instead "preoccupied with how much money they could get off (the song)". Pickett was missing out on thousands of dollars in licensing fees, but Hersh and Pickett's goal was not just to make money. They sought instead to help keep "Monster Mash" relevant: by making "Monster Mash" affordable to independent production houses, they ensured it would always have a place in culture.

The backing singers for the record were The Blossoms, led by Darlene Love.

On the Digital Song Sales chart, the song peaked at position 27 during 2005, 2007 to 2011 and from 2013 to 2017, and is played annually on the Sirius XM Satellite Radio.

In 2012, the song ranked at number 25 on ''Billboard''.

An unrelated version of "Transylvania Twist" (the original featuring on the album The Original Monster Mash), was written for the film ''Spookley the Square Pumpkin''. The film version is more reminiscent of "Monster Mash" than the original track.

Comedian Nick Wiger appeared annually on the Comedy Bang! Bang! Halloween podcast as a character named Leo Karpatze who originally wrote Monster Mash but was forced to change the lyrics due to profanity. Wiger would appear on the show and pretend to have a new song to sing but would only sing the same profanity-laced version of Monster Mash.

Blair Packham wrote and performed "One Hit Wonder" in 2004 about the later years of Bobby Pickett's musical career and Pickett's relationship with his most-recognized song.

Chart history

Weekly charts

Cover versions

Various cover versions of "Monster Mash" have been recorded:
*The Bonzo Dog Doo-Dah Band released a version on their 1969 album '' Tadpoles''. Their version includes a reference to the Crypt-Kicker 5. They also performed it on an episode of the British TV series '' Do Not Adjust Your Set''.
*Allstar Weekend remixed that song on October 8, 2011.
*Andrew Gold released a version on his 1996 Halloween novelty album ''Halloween Howls'' featuring frequent collaborator Linda Ronstadt on background vocals.

Misfits version

Horror punk band the Misfits recorded a cover version of "Monster Mash" in 1997 as part of a promotion surrounding a DVD release of the 1967 stop motion film '' Mad Monster Party?''. Their version was released as a single in 1999, and a new version was recorded for their 2003 album '' Project 1950''.

Background

The Misfits recorded their version of "Monster Mash" in 1997 in a recording studio in Newark, New Jersey. Bassist Jerry Only later stated that "The 'Monster Mash' was a no-brainer for the Misfits to cover as a timeless Halloween release. The song was always a childhood favorite of mine." The recording was the first time that Only had performed lead vocals for the band, while then-Misfits lead singer Michale Graves provided backing vocals. On October 18, 1997, a live performance of the song was recorded and broadcast from the studio of the New Jersey-based cable television music show ''Power Play'', the same studio in which the song was recorded.

The Misfits' version of "Monster Mash" was used in a cross-promotion campaign arranged by Deluxo and John Cafiero, who had directed the Misfits' music videos for "American Psycho" and "Dig Up Her Bones", to create awareness of a home video release of the 1967 Rankin/Bass stop motion film '' Mad Monster Party?''. Deluxo had recently acquired the rights to the film in hopes of restoring it, but could not find a quality print. They eventually found a quality 16 mm print and the Misfits hosted a special screening of the film at Anthology Film Archives

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